Some images are blacked out due to copyright. Please take a look at the booklet.
Foreword
Special Section: Where We Are Now in Feminist Art Histories
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The Introduction of Gender Art Historical Methodology to Representations of Modern Society: Using Ama’s Portrayal in Modern Japan as an Example [JP]
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The Politics of Eros: Japanese art between 1960 and 1970 [JP]
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Modernism and the “Woman” Artist: Romaine Brooks’ Sapphic Modernism [JP]
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“Wartime Women Painters Crossing Borders: Haruko Hasegawa, Fumie Taniguchi, and Mitsuko Arai” [JP]
Special Contribution
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Gender Perspectives Open New Horizons in Art History and Image Studies: Responses to Four Reports [JP]
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Constance Stuartʼs War: Women and Documentaryʼs Excess [JP]
Articles
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The Effectiveness and Challenges of Intersectionality in Public Policy: An Analysis Using the Perspective of Theoretical Frameworks and Critical Praxis [JP]
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Multiple Orientations as Animating Misdelivery: Theoretical Considera- tions on Sexuality Attracted to Nijigen (Two-Dimensional) Objects [JP]
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Bodies That Appear “Before the Law”: Rethinking and Integrating the Ba- sic Concepts of Cornell and Butler [JP]
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To Speak and to Speak Out: Reflections on Identity in Sexual Assault and Trauma Care [JP]
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A Reconstruction of the History of Independent Queer Films in Mainland China Using A New Mode of Classification [JP]