Some images are blacked out due to copyright. Please take a look at the booklet.
Special Section: Where We Are Now in Feminist Art Histories
-
The Introduction of Gender Art Historical Methodology to Representations of Modern Society: Using Ama’s Portrayal in Modern Japan as an Example [JP]
-
The Politics of Eros: Japanese art between 1960 and 1970 [JP]
-
Modernism and the “Woman” Artist: Romaine Brooks’ Sapphic Modernism [JP]
-
“Wartime Women Painters Crossing Borders: Haruko Hasegawa, Fumie Taniguchi, and Mitsuko Arai” [JP]
Special Contribution
-
Gender Perspectives Open New Horizons in Art History and Image Studies: Responses to Four Reports [JP]
-
Constance Stuartʼs War: Women and Documentaryʼs Excess [JP]
Articles
-
The Effectiveness and Challenges of Intersectionality in Public Policy: An Analysis Using the Perspective of Theoretical Frameworks and Critical Praxis [JP]
-
Multiple Orientations as Animating Misdelivery: Theoretical Considera- tions on Sexuality Attracted to Nijigen (Two-Dimensional) Objects [JP]
-
Bodies That Appear “Before the Law”: Rethinking and Integrating the Ba- sic Concepts of Cornell and Butler [JP]
-
To Speak and to Speak Out: Reflections on Identity in Sexual Assault and Trauma Care [JP]
-
A Reconstruction of the History of Independent Queer Films in Mainland China Using A New Mode of Classification [JP]